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Stop (Stockhausen) : ウィキペディア英語版 | Stop (Stockhausen)
''Stop'' is a composition for orchestra (divided into six groups) by Karlheinz Stockhausen, work-number 18 in the composer’s catalogue of works, where two performing realisations are also found as Nr. 18½ and Nr. 18⅔. ==History== ''Stop'' is a work of about 20 minutes duration, written in a single session at the blackboard in 1965 during a composition seminar at the Cologne Courses for New Music 1964–65, in response to a request from a student for a demonstration of the process of creating a work, including "precise details". The instrumentation is flexible, and an organic process binding the whole together must also be developed from the basic score to make a version before it can be performed. The title stems from the fact that, from time to time, noises or coloured silences ''stop'' these processes of unfolding of groups of pitches (; ). In addition to the original score, two performing versions made by the composer have been published: a "Paris Version" for nineteen instruments, Nr. 18½ (1969), and ''Stop und Start'' (Stop and Start) for six instrumental groups (twelve performers) (2001) Nr. 18⅔. The altered title of the 2001 version simply reflects the fact that a new sound group starts up after each interruption . The "Paris Version" was that of the world premiere, given on 2 June 1969 under the baton of Diego Masson in the Théâtre National Populaire, Palais de Chaillot, as part of the fifth of a series of seven concerts of Stockhausen's works . A "London Version" was made in 1973. Although this version was performed and recorded, it is close to the Paris version (Stockhausen 1978, 77) and has neither been published nor given a separate number in the composer's catalog.
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